L’ira funesta dei profughi di Ableton Live

James Holden @ the controls

The change in dance music is that now everyone has a laptop and everyone can get a cracked copy of Ableton, so suddenly everyone is making what I call ‘Ableton techno’, and you get all these pedestrian records that just use the default sounds. When something is so common and easy to make, it has no value any more. I have to be careful as I always end up pissing people off who like that kind of thing, but I could be grumpy about it for hours! (e altre cose meno scontate, qui)